2016

14 07 2016
Y ahora que Mallarmé ha muerto, tiremos los dados sobre la noción de cine.
El libro por venir, Bulegoa z/b Bilbao.


26 05 2016 — 04 06 2016
Cosas dichas una vez
La KINO / Festival Loop Barcelona


25 05 2016
Presentación LEVE 4
Múltiplos Barcelona


21 05 2016
Presentación LEVE 4
Casa PeSeta Madrid


20 05 2016
Cosas dichas una vez
Master LAV Madrid


22 04 2016
We Only Guarantee The Dinosaurs
Images Festival Toronto


26 02 2016
Feminismo y Procesos Artísticos
Charla con Lourdes Méndez
UPV / EHU Bilbao


04 02 2016
Presentación LEVE 4
MUSAC León


14 01 2016
RR James Benning
MUSAC León


09 01 2016
We Only Guarantee The Dinosaurs
Palais des Beaux Arts Bruxelles


01 12 2015 — 15 01 2016
La relève
The Film Gallery Paris



2015

21 11 2015
LEVE 3
Apollo Boucau
France

20 11 2015
Le film et son double: du projectionniste
MAC VAL Paris


23 10 2015
Spectral Presence

Art Cinema OFF-off Ghent

30 09 2015
Experimental Film Society
Museum of Contemporary Art of Tehran

25 09 2015
Exterior, Night
Lajevardi Foundation Teheran


24 09 2015
Things Said Once
Lajevardi Foundation Teheran


18 — 27 09 2015
Luminous Void
Lajevardi Foundation Tehran


15 — 30 09 2015
Artist-in-residence
Kooshk Residency Tehran


04 07 2015
Experimental Film Society
Lichtblick-Kino Berlin


12 06 2015 — 03 07 2015
Femlink: Collage
MAMU Gallery Budapest


30 06 2015
We Only Guarantee The Dinosaurs
Temple Bar Gallery Dublin


01 — 06 06 2015
De la idea a la experiencia
12th Biennial of Havana


20 — 24 04 2015
Hacer, Sumar, Desaprender
Facultad Bellas Artes Cuenca


04 — 11 04 2015
Video Before / Video After
Mamia Brétéché Gallery Paris


16 03 2015
Experimental Film Society
Kinodromo Bologna


15 02 2015
Absences and (Im)possibilities...
CCCB Barcelona


30 01 2015
LEVE 3
MUSAC León


05 01 2015
Absences and (Im)possiblities...
Glasgow Film Theatre


2014

19 12 2014
Limited Access Festival
Vista Art Gallery Tehran


27 11 2014
We Only Guarantee The Dinosaurs
Laboral Gijón


10 11 2014
Immortal Stories (Fergus Daly)
Cork Film Festival


24 11 2014
Experimental Film Society (EFS) II
Temple Bar Gallery Dublin


23 11 2014
Absences and (Im)possibilities...
Hackney Picturehouse London


07 11 2014
Las Hermanas Diego
Bulegoa z/b Bilbao


18 - 19 10 2014
The Box
Art Centre Ongoing Tokyo


31 10 2014
The Box
Spazio Rita Nagoya


04 11 2014
The Box
Doshisha University Clover Hall Kyoto


7 10 2014
Sessões do Udigrudi
Image and Sound Laboratory
SUC São Paulo


13 09 2014
Las Hermanas Diego
Centro de Arte Matadero Madrid


30 08 2014 — 07 09 2014
Experimental Film Society
Fronteira Film Festival Brazil


10 07 2014 — 31 07 2014
Una fuerza común es algo que tiene casi todo el mundo
MUSAC León


04 07 2014 — 01 10 2014
Solus & Guests
Loft Project Etagi Saint Petersburg


26 — 28 06 2014
We Only Guarantee The Dinosaurs
Bulegoa z/b Bilbao

23 — 25 06 2014
Paracinema Seminar
Tabakalera San Sebastian


07 06 2014
Performance's Only Life in the Present: Conversation with Takahiko Iimura
[S8] Mostra de Cinema Periférico


05 06 2014
We Only Guanrantee The Dinosaurs
[S8] Mostra de Cinema Periférico
Fundación Luis Seoane


22 04 2014
Devoted Songs: Films of Nathaniel Dorsky
Irish Film Institute


18 04 2014
Experimental Film Society
Picture Show New York


17 04 2014
Cameraless Films: Made in Spain
Experiments in Cinema Albuquerque


20 — 30 03 2014
FemLink
Nod Art-Centre Prague


08 03 2014
FemLink
Gallery Tir Mostovna


17 02 2014 — 18 05 2014
Llora Cuando Te Pase: Laida Lertxundi
Alhóndiga Bilbao


13 02 2014
Femlink
Gallery of Fine Arts Split Croatia


09 02 2014
Ensayos de la evaporación / We Only Guarantee The Dinosaurs
Centro de Arte Dos de Mayo


30 01 2014
LEVE #2
MUSAC León


18 01 2014— 08 06 2014
Una Pausa Para Reflexionar
MUSAC León



2008 — 2013
WORKS

Things Said Once
Exterior, Night
The Box
We Only Guarantee The Dinosaurs
A Piece of Broken Mirror Suspended on a String
Ensayos de la evaporación
The Gas Works
Odio el movimiento
The Gas Thus Cuts in Bits
The Illuminating Gas
Cinema...Corpus v Cerebrum
Horses
Operation Rewrite
(OR) 45:37
Feather Mirror
Manila Sand Trap

TEXTS

La pantalla negra como espacio radical de expropiación del sentido (entrevista con Núria Gómez G.)

Cine sin cine (Érik Bullot)
Love Letter (Jodie Mack)
Reopening Experience (Alice Butler)
Experimental Spaces (Donal Foreman)
What is Márgenes (Maximilian Le Cain)
Yo, un japonés (Julius Richard)
Devenir Pantalla / Becoming Screen
(Peio Aguirre)

Operation Rewrite (Rouzbeh Rashidi)
Paracinema: la desmaterialización del cine (Fernando Huerta)
Cinema as Magic: Notes Towards Reinvention (Donal Foreman)
We Only Guarantee the Dinosaurs
(Jorge Núñez)

Entre la caja negra y el cubo blanco (Celeste Araújo)

CURATORIAL WORK

Una fuerza común es algo que tiene casi todo el mundo
Absences and (Im)possibilities: Traces of an Avant-Garde Cinema in Ireland
Songs of Devotion: the films of Nathaniel Dorksy
Antoni Pinent: PRESENTROSPECTIVA
Experimental Film Society
Spectres of Memory
Unrolling Processes
Of Ruins and Light
Landscape Plus: El Cine de Laida Lertxundi
El cine como máquina de guerra: crítica y sublevación en la vanguardia más radical
More or Less Annihilated by Saccadic Enchainment by the Sea II
Flecks of Interruption
More or Less Annihilated by Saccadic Enchainment by the Sea I + The Films of Vivienne Dick
Márgenes: Experimento y Praxis
Venom, Eternity, and Other Discrepancies
T:O:U:C:H:I:N:G the Architectures of Perception
The Practice of Anti-Illusion
Play and Destruction
Zero Degree : the New Image of thought
Paracinema: Film Beyond Its Limits
&
Experimental Film Club
Grupo de Diálogo sobre Cine Contemporáneo


TALKS, SEMINARS

Transversales // Zeharkakoak: Feminismo y Procesos Artísticos, UPV/EHU Bilbao.
Experimental Film Society. Museum of Contemporary Art of Tehran, Iran.
Cine y coreografía, XII Bienal de La Habana Cuba.
Hacer, Sumar, Desaprender, Facultad de Bellas Artes, Cuenca.
Seminario Paracinema, Tabakalera CICC y Bulegoa z/b.
Master en Práctica Escénica y Cultura Visual / Artea, MNCARS.
Consecutive Impostors (with Maximilian Le Cain), Instituto Cervantes Dublin.
Paracinema: Definición y Tendencias, Facultad de Letras, Universidad Murcia.
Paracinema (presentación del libro), Biblioteca MUSAC.
Cinema as Experience: Overflows and Expansions (Archipelago Val del Omar), MNCARS Madrid.
Performance's Only Life in the Present: conversation with Takahiko Iimura, [S8] Mostra de Cinema Periférico, A Coruña.
The Performative, Bordering of Performance, Market Studios/ The Lab.
Lines Of Creation, Xperimenta Symposium, CCCB Barcelona.
AA Workshop, Siggen Manor House, Siggen Germany.
D-Generación: experiencias subterráneas de la no-ficción. Instituto Cervantes Dublin
Forum on Artists and Filmmakers: New Practices in Production, Exhibition and Education, Darklight Symposium.
Re-Visions of Experimental Cinema Seminar, CCCB Barcelona.
Paracinema: Film Beyond Its Limits, Darklight Symposium, Filmbase Dublin.
Paracinema: Film Beyond its Limits, The Model Arts / Niland Gallery, Sligo Ireland.


BOOK

Paracinema: la desmaterializacion del cine en las prácticas artísticas

EDITIONS

Things Said Once / Cosas dichas una vez. La KINO, Barcelona 2016

Du projectionniste (Érik Bullot, Esperanza Collado, Roland Sabatier, Rosa Barba). MAC Val, Paris 2015

LEVE 1, 2, 3, 4...

WRITING

Things Said Once
Film and Its Resonance in Space: Notes on Expanded Cinema in Spain
Aquí y ahora: el cine de Laida Lertxundi
Roldán: "Te tenemos muy cerca"
Paracinema: The Dematerialization of Film in Artistic Practices (cinema, body and brain)
Projection as a Magnetic Field: Overflowing of Val del Omar
Maximilian Le Cain: Beyond the Cretinous World of Images
Takahiko Iimura in conversation
Experimental Features in Arrebato
Cinema Now Wants a Body or the Politics of the Red Carpet
"Calling the Elephant": the Folds of Representation
Notes towards paracinema and interruption
Flecks of Interruption
T:O:U:C:H:I:N:G The Architectures of Perception
El cine y su resonancia en el espacio: cine expandido contemporáneo en España
Cine... Cuerpo o Cerebro
El cine pedía un cuerpo o la política de la alfombra roja
Val del Omar ó cómo pegar fuego a los hombres
Entrevista a Takahiko Iimura
Contact